Book review: David and Goliath by Malcolm Gladwell

David and Goliath by Malcolm Gladwell
David and Goliath by Malcolm Gladwell

There was something slightly unsatisfying about David & Goliath and I’m trying to work out what that was. I’ve read Gladwell’s other books and thoroughly enjoyed them; in this one, there is no falling off in his writing, which remains as engaging as ever, and his trademark mix of personal stories illuminating theories is still an excellent way of bringing research to life. I think, in the end, the big idea in this book, the U-curve of diminishing returns returns reached after a certain point is just not as interesting as the ideas explored in his previous books; in some ways, it appears to be a great deal of research to illustrate a principle of folk wisdom encapsulated rather precisely in the phrase ‘diminishing returns’. So, only three stars, but still well worth a read.

And thinking about this further, it’s encapsulated in the use Gladwell makes of the U-curve when examining the reactions of people to appalling events which fails. For example, two sets of parents are confronted with the murder of a child. One man embarks upon a crusade to enforce harsher punishments (the ‘three-strikes rule’). The other couple – devout Christians – manage, somehow, to forgive the man who sexually assaulted and then killed their daughter. The former sought revenge, the latter gave forgiveness. Such a radical response to injury requires more than being shoehorned into popular psychology, and indeed Gladwell made that response himself. Interviews suggest that, when confronted with such extraordinary forgiveness, Gladwell himself returned to the Christian faith of his upbringing. And really this is the only way to deal with suffering and grief – the Laffer curve is simply inadequate in the face of such a mystery.

Catalan Monsters

This article was first published in the Time Out Barcelona Guide.

What to do if little Johnny won’t go to sleep at bedtime? A glass of warm milk? A gentle lullaby? Or a blood-curdling horror story of child abduction and flesh-eating monsters? Catalan folklore is full of decidedly non-PC espantanens (‘child-frighteners’), designed to make kids behave and – as a side effect – turn them into gibbering emotional wrecks.

El Coco; Francisco Goya [Public domain], via Wikimedia Commons
El Coco; Francisco Goya [Public domain], via Wikimedia Commons
El Coco is one of the best known. With shaggy black hair and fluorescent eyes, El Coco preys on children who don’t go to bed when they’re told. Only leaving his hidey-hole in the dead of night, he lingers in the shadowy corners of children’s bedrooms and taunts them with a scary grunting noise, before grabbing them and carrying them home to eat raw. Sadly, it can be just as dangerous to go to sleep, at least when La Pesanta is around. In the form of a huge black dog with human hands, she jumps on to the chest of those who sleep on their backs; her great weight gives them terrible nightmares before suffocating them to death.

Warning of ‘stranger danger’ is L’Home del Sac (the ‘bag man’), a sinister old man dressed in old brown rags with shaggy hair and a giant sack on his back. Wandering the streets of Barcelona, he lures over any children he sees out alone with sweets and toys and then tosses them in his sack. Back in his castle, he boils down the children’s juicy flesh to produce a fine oil, which he uses to grease the train tracks.

Caçamentides
Caçamentides

Then there’s the Caçamentides (‘liar hunter’), a man as tall and wide as the towers of the cathedral and with fingers as sharp as claws, which he uses to snatch up children who tell lies. He knows who they are because when a lie comes out of a child’s mouth, it turns into an invisible bird that flies away after leaving a dark stain on their teeth. The birds fly to Caçamentides and tell him where the child is to be found. He barbecues his captives and eats them seven by seven.

Much feared by little girls who live in Bruç, Esparreguera and Piera is the Cardapeçois, a strange and bad-tempered old woman who’s obsessed with well-combed hair. She visits little girls with long, tangled locks and goes at them with thistle heads and, in especially bad cases, the sharp iron spikes used to card sheep wool. She combs until she’s pulled all the hair out, and the offender is left bleeding and bald.

Putting on the frighteners out in La Vall de Ribes de Freser is Jan de Gel, a boy made of ice, and so cold-hearted that children freeze just by looking at him. He throws the human popsicle on his back and carries it to his ice cave to make it into a hearty soup. Another winter sprite is La Tinyosa, who appears as a mass of foggy cloud, descending over any children lost in her territory of the Montserrat mountains and the plains of Vic, and carrying them away.

Welcome Daily Science Fiction Readers!

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Hello! If you’ve just come via the link from Daily Science Fiction (or even if you’ve turned up by chance), you’re most welcome. ‘Ghosts of Mars’ was my fifth story in Daily SF – if you’d like to read something else by me, here’s the page with links to my published stories (there’s 33 of them! For a long time, I was averaging one story published per decade. Although there might be a story in the 330-year-old writer kept alive by the slowness of his publication stream, thankfully it’s no longer autobiographical.)

Edwin: High King of Britain
Edwin: High King of Britain

I’ve also had seven books published (seven! I still find that hard to believe), with my latest, a biography of Alfred the Great, out in a couple of weeks. Here’s the link to my books page; I’m particularly pleased with Edwin: High King of Britain, the first in The Northumbrian Thrones trilogy that tells the story of the Dark Ages kingdom of Northumbria. No less a writer than Bernard Cornwell (yes, that Bernard Cornwell) called it ‘a splendid novel’, so if you like historical fiction you might want to take a look at it.

Finally, there’s lots more here on my blog, or you can follow me on Twitter @EdoardoAlbert or join me on Facebook. Thank you again for reading Ghosts of Mars’ and let me know what you thought of it – comments are welcome!

Acceptance notes – no.13 in a series

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Of course, nothing prompts a renewal of the rejection notes series more than an acceptance note, and here’s a good one! I’m delighted to have found a home for Knock, Knock – it’s one of my favourite stories and the journal that will be publishing it is excellent.

Dear Edoardo,

Thanks for sending this story, I really enjoyed reading it. We have just finalised our selection for Issue Seven however, and don’t have any more room. Would you be willing for us to hold onto this for Issue Eight (December 2014)?

If you prefer to submit elsewhere for a while, that’s OK just let me know, and I can leave this piece sitting here for a few months.

Alternatively, if you’re definitely happy to have it in Issue Eight, let me know and I’ll accept it now.

Either way is cool.

Reader, he said yes.

Rejection notes – no.25 in a series

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My apologies: I’ve received quite a lot of rejection notes and failed to commemorate them on here, for the simple reason that they’ve all been too boring to be worth mentioning – come on, editors, think up some more interesting ways of saying no! But, just to let you know that they’ve been coming in steadily, here’s my most recent rejection note. Enjoy.

Hi Edoardo

Many thanks of your submission but I’m afraid it has to be a no from me this time however please do send in more of your work at a later date. And apologies for taking so long to reply but we have been overwhelmed with submissions and it has taken me longer than anticipated to deal with them.
Regards

Book review: The Wonderful Wizard of Oz by L. Frank Baum

The Wonderful Wizard of Oz
The Wonderful Wizard of Oz

Of course, it’s all but impossible to read The Wonderful Wizard of Oz today without seeing Judy Garland and co. (although I wonder whether that will be true for my children? The fragmentation of TV means there is no longer any communal sense to TV watching, so the old mass gathering around the box at Christmas, when we could be fairly certain that everyone would see the same things, has passed. So it is possible to grow up and not see films like this, or The Great Escape and The Sound of Music).

Reading the book also serves to show what a wonderful job the set designers did when transferring the story to the screen. What lifts L. Frank Baum’s tale above other Victorian children’s stories is the exuberance of its imagination, from Dorothy’s travelling companions, through Munchkins and Quadlings, to Winged Monkeys and people made out of bone china. And it’s what continues to make the book eminently readable. I do wonder what it was like to read the book when the great twist – that the great wizard is, in fact, a humbug – came as a surprise rather than part of one’s cultural baggage. I suspect that this or the next generation might be able to tell us.

Book review: The King in the North by Max Adams

The King in the North
The King in the North

Not surprisingly, Max Adams’ book finds an appreciative reader in me: it’s all about Northumbria! Although ostensibly a biography of Oswald, in fact it tells the story of the great age of the kingdom, starting with its emergence into history under the ‘Twister’ Aethelfrith, through my favourite, Edwin, to Oswald, Oswiu and Ecgfrith, with an afterword about the golden cultural age of the eighth century. Adams is never less than fascinating, he brings to light all sorts of nuggets of information and parallels – I particularly liked the comparison between Oswald and Thomas Cochrane, the premier frigate commander of the Napoleonic Wars and a man of such daring his exploits would appear ridiculous in a film – and his book brims with a life-long love of the subject. In fact, the only other book on Northumbria I’d recommend as highly is my own, and Adams beats me into a cocked hat with the absolutely superb double page map on the inside front cover, which shows Northumbria and the other kingdoms of northern Britain in the style of the map in ‘The Lord of the Rings’, all hand-drawn hills and sketched forests. Superb, and on its own responsible for an extra, fifth star! Well done, Mr Cartographer.

England’s Wet Wildernesses

In Beowulf, the great Anglo-Saxon epic, the monster Grendel stalks Heorot, Hrothgar’s hall, from his lair in the fens. In the most characteristic tale of England’s past – though set in Denmark it is England’s story – the monster comes from the marsh. The poem itself was likely composed in the kingdom of East Anglia, whose greatest king, Rædwald, was probably interred in the ship mound of Sutton Hoo, and the East Angles knew well the dangers and glamours of marsh and sea.

Wicken Fen

Think on the map of Britain. There’s probably no outline better known to us today, but it’s a modern creation. Britain, and more specifically England, used to cut a very different profile. The distinction between land and water was not nearly so clear, with vast areas occupying a liminal position between the two, sometimes dry, sometimes wet, according to tide and flood. Great bites into England’s body were made twice a day by the tide, seeping in to the salt marshes and bogs that covered the Fens, pushing the River Thames to half a kilometre wide in the London area, running upstream through Romney Marsh to Bodiam Castle in East Sussex. Names bear witness to this past, with areas, often far inland, being called islands and only habitual use deadening us to the strangeness of the title: the Isle of Thanet at Kent’s south-eastern edge, the Isle of Axholme in Lincolnshire, the Isle of Ely in Cambridgeshire.

Wicken Fen

Perhaps nowhere is the strangeness of this historic landscape more marked than on the Isle of Thanet. Now firmly part of the mainland, the Wantsum Channel, a tidal watercourse fed by the River Stour, separated the isle from Kent. As the most easterly part of Kent, and with the security of the Wantsum Channel, the Isle of Thanet was the perfect stepping stone for invaders, and they employed it, again and again and again. First, the Romans – Julius Caesar used it as a base in his abortive invasions of 55 and 54 BC – then the Anglo-Saxons, with the legendary Hengist and Horsa being given the isle and liking it so much they decided they wanted the rest of the country too – and, finally, the Vikings: the Wantsum Channel provided safe harbour from fierce Channel storms, and the Northmen first experimented with overwintering in a secure base on the isle before using the tactic to conquer most of England. But the Wantsum Channel, once two miles wide, slowly silted up, although Thanet is still clearly shown as an island in maps into the 15th century. But the slow deposition of silt and the indefatigable drainage work of Augustinian monks sealed the island’s fate, and the last ferry sailed across the narrow strait in 1755. The Isle of Thanet was an island in name only and the Wantsum Channel a drainage ditch: an ignoble end for a piece of history.

The Isle of Thanet’s fate encapsulates much of the difficulties faced by England’s wetland wildernesses. They’re mainly on the east, and when boats were more reliable forms of transport than roads, they became highways for traders and raiders. New ideas and technologies spread easily from the Low Countries to the Low Counties, with Dutch engineers imported in the 17th and 18th centuries to lead the push to drain the flatlands. They were still too wild and too dangerous to be allowed to continue, wet worlds where Parliament’s writ held no sway.

Charles Kingsley saw their end:

A certain sadness is pardonable to one who watches the destruction of a grand natural phenomenon, even though its destruction bring blessings to the human race. Reason and conscience tell us, that it is right and good that the Great Fen should have become, instead of a waste and howling wilderness, a garden of the Lord, where

‘All the land in flowery squares,
Beneath a broad and equal-blowing wind,
Smells of the coming summer.’

And yet the fancy may linger, without blame, over the shining meres, the golden reed-beds, the countless water-fowl, the strange and gaudy insects, the wild nature, the mystery, the majesty–for mystery and majesty there were–which haunted the deep fens for many a hundred years.

Book review: The Sea Kingdoms by Alistair Moffat

The Sea Kingdoms

This is the third book by Alistair Moffat that I’ve read and, as you’d guess given the fact that I’ve kept reading him, I’ve enjoyed them all. The Sea Kingdoms is an attempt at a history of Celtic Britain and Ireland but, by the nature of the subject and the sources, it’s more a series of impressions and snapshots: places, events, people, all serving to illuminate some aspect of the other history of these islands, the history that has never been written but has been sung, recited, felt.

It’s as much a geography as a history, or a story of how the two interweave in the language and culture of a people acutely aware of the beauty and awe of their land. But, being united by the sea, the sea has also washed much away, leaving traces in the sand but only impressions where there was once much more. It’s unlikely that even the best efforts of archaeologists will retrieve too much else, and the history of the Celts, like the people, is bathed in the westering sun setting in the circle sea.