Adventures in Bookland: The Imperial Banner by Nick Brown


As authors, we have a tendency to stand in thrall to those mysterious creatures known as book designers, trotting out in the acknowledgements or emails to the publisher our thanks for the sterling work done by the design team. We do this, (a) because we have no choice, and if we don’t butter up the design department then they really might do something frightful next time round and (b) because if we were any good at coming up with front covers we’d be designers ourselves (and making much better money to boot). Of course, sometimes we are well served by our designers – as, I hasten to add, I have been with my Northumbrian Thrones covers – but sometimes designers do a book or a series no favours at all. In Nick Brown’s case, I think this is true. Look at the above, the cover for book number 2 in his Agent of Rome series. Tell me, seeing it, what it tells you? And then, let me show you the covers of books 1, 3 and 4 in the series:


These covers tell a story to me of some muscle bound centurion whose first recourse to any problem is to whip out his sword and cut people up – the most hackneyed hack and slash version of historical fiction and the male equivalent of the worst sort of chick lit, wish fulfilment in a toga. But the books aren’t like this at all. Cassius Corbulo, the hero, is notably incompetent with a sword, relying on his wits rather than his muscles: Nick Brown also mixes up the genres, stirring in elements of detective fiction, thrillers and chase stories into the mix. None of this you can tell from the above covers. He must have been so relieved when his publisher showed him the cover of book 5 in the series, and then did even better work on the new design with book 6.


These jackets tell far more accurately of the more subtle pleasures to be had beneath their covers. I’m sure Nick Brown was pleased – I certainly would be, with covers like these.

Adventures in Middle-earth: The Fellowship of the Ring by JRR Tolkien

There are some books – most books actually – that pass under the eye as swiftly and with as little mark as the colours on a screen. There are other books, a small number in a lifetime, that mark you indelibly. For me, the book that has marked me probably more than any other is The Lord of the Rings. But it had been many years since I had revisited Middle-earth and I opened the oh-so-familiar book with some trepidation, the sort of fear that might attend meeting again the love of your life after long separation – would the enchantment remain unbroken?

It has. I remember, when I first read The Lord of the Rings, going to sleep each night for six months or more with the prayer that I might wake up in Middle-earth. Many years later, I would still wish to step out of this world and into Arda. If the theology of creation that Tolkien was feeling his way towards proves true, mayhap that shall indeed be possible. For if ever a work of heart and hand might be given the Secret Fire by Eru, and live, then surely it is Middle-earth. As for the Good Professor himself, I believe that, like Niggle the painter, he walks today by the willow meads of Tasarinan, looking towards the distant prospect of mountains towards which the road that goes ever on but that always leads home will take him.

On a more prosaic level, re-reading The Fellowship of the Ring, I was struck by the great part that geography played in the narrative. A modern-day writer would not spend so long telling of walking through landscapes – we have become an even hastier people – but for this reader, the word paintings of Middle-earth were as pure a pleasure as the surface narrative. For this is the tale of a world, in all its complexity, rather than just a telling of heroes.

Sometimes, all that is possible by way of review is gratitude. JRR Tolkien poured heart and soul and mind into Middle-earth. Now, 44 years after his death, we can still visit Middle-earth in heart and soul and mind.

Adventures in Bookland: The Siege by Nick Brown

Having started with number 6 in the Agent of Rome series I’ve gone back to the beginning and the first posting for a young and callow Cassius Corbulo. Two thirds of the elements that will make this a great series are already there: Cassius himself and his slave Simo, ever punctilious for his master yet careful to conserve the small dignity afforded to him as a slave in Imperial Rome. What’s missing in this first book is the third member of the team, the bodyguard Indavara, who makes his debut in the next novel. However, even without him, this book serves to introduce an unusual, for historical fiction, hero and his even more unusual slave. Cassius is not much good with a sword, relying on his brain rather than muscles, although he does match up with the male wish fulfillment element of historical fiction in that he is unfeasibly handsome and attractive to women. Simo is, potentially, an even more interesting character; I hope Brown will look more deeply into how a slave might attempt dignity when he is, literally, property. The story itself rips along. As soon as I’d finished The Siege I started on The Imperial Banner, the next in the series.

Adventures in Bookland: Grief is the Thing with Feathers by Max Porter

A husband loses his wife, two boys lose their mother – and they get crow in return. No, really. Crow. With a capital C. Crow moves in with them, the feathered, cawing, butcher-beaked bird of scavenge, the haunter of battlefields and rubbish tips and, in this brief but memorable prose poem, Crow puts them back together again. As the boys say, in the most moving of many moving lines in the book:

We miss our Mum, we love our Dad, we wave at crows.

It’s not that weird.

 

In Book With Bradbury

How cool is this – I’m in a book with Ray Bradbury! The book is Ex Libris: Stories of Librarians, Libraries & Lore, and my contribution is called ‘The Last Librarian: Or A Short Account of the End of the World. Ray – we’re on first-name terms now we’ve shared a book – Ray’s contribution is called ‘Exchange’ and there, he’s already shown why he’s a better writer than me: economy. A one-word title as opposed to 12 words. If you want to read the stories, the book is available on Amazon and through all good book sellers.

Adventures in Bookland: A Treasury of Ghazali by Mustafa Abu Sway

The problem with the thought of Abu Hamid Muhammad ibn Muhammad al-Ghazali (to give him his full name) is that it is too deep and too broad for our shallow times. In the age of Twitter, the work of the greatest thinker in Islamic history is almost unknown outside the small band of scholars devoted to him: many Muslims have never even heard of him. But Al-Ghazali lived at a time when the Muslim world faced challenges which bear comparison with the problems the Muslim world face today: it was a fractured world, the early Muslim unity having shattered into a small number of competing power centres, and Islamic culture was struggling to respond to and assimilate the products of Greek learning that its military expansion had brought into its orbit. It was Ghazali, through his life and thought, who formulated the Muslim response to Greek learning, and helped to establish the social solidarity in the face of rulers of varying degrees of worthiness that went on to characterise Muslim populations throughout the world. And yet, ask an ordinary Muslim about him, and most will respond with blank faces.

So Kube’s new book is a welcome attempt to redress this situation. Accepting that Ghazali’s vast corpus of work is too much for most people to engage with, they have published a lovingly presented, slim volume of Ghazali’s thought, taking short extracts from his work ranging from raising children in a faith to the encounter with God, with explanatory commentary by Professor Abu Sway of Al-Quds University. The real meat, though, are in these limpid extracts from Ghazali: there is more in a sentence by him than in most books published today about Islam. So, it is to be hoped that this little book will help provoke a revival in the knowledge and study of Al-Ghazali among today’s Muslims, for his wisdom is required today more than ever.

 

Unintended Meanings

One of the unexpected perks of my occasional editing work is finding unintended explosions of double meaning in a piece of work. The one I found this afternoon is, however, probably the finest example of an unintentional double entendre I’ve ever read (and I know it was unintentional as this is meant to be a book for children). Enjoy!

He stretched his hand down toward that terrifying snake! The moment he touched it, his staff was in his hand, straight, and hard, and long.

Adventures in Bookland: Rome Alone by Phil McCarthy

One of the unremarked perils of the writer’s life is getting emails from readers, telling you they have written a book and asking if would you like to read it. If the reader has had the courtesy to read one of my books, I generally feel honour bound to return the favour, which was how I learned about Phil McCarthy’s book of his pilgrimage to Rome along the old pilgrim route from Canterbury to Rome, the Via Francigena. But I’m pleased to report that reading the book proved to be a real pleasure and not at all the dull trudge that a number of other, duty-read books have been.

Strange though it might seem, given that we live in such apparently secular times, but pilgrimage is undergoing a major revival at the moment, with record numbers of people walking, cycling and generally making their way across Europe to places such as Santiago de Compostela. But Phil McCarthy, doctor and walker, had already done the Camino de Santiago and wanted something more challenging. He found it in the old Via Francigena, the pilgrim route from Canterbury to Rome that thousands of people from these isles trod in the millennium between the arrival of St Augustine in 597 and the suppression of pilgrimages by the forces of the Reformation – just one of the ways in which the sticklers for puritanism stifled medieval joys. McCarthy was following in the tracks of Hilaire Belloc, who similarly made a pilgrimage to Rome on foot at the start of the 20th century, detailing his journey in The Path to Rome. In Rome Alone, McCarthy recounts what it’s like to make a similar journey early in the 21st century. Having read both, the main differences appear to be the risk of death from passing cars – confirming every stereotype, the risk only increases the closer McCarthy got to Rome – the instantaneity of communication nowadays, and the impossibility of sleeping in barns or expecting accommodation and food from rural peasants. However, in compensation, the pilgrim hostels along the way serve as marvellous way stations and insights into how the Church is faring in what is supposed to an increasingly secular Europe. The good news is, at least from my reading of McCarthy’s book, that it is faring better than the doomsayers would suggest, with many lively parish communities making McCarthy welcome as he makes his way south. The walking doctor is particularly enjoyable on the inadequacies of European walking maps, the danger from dogs and the sheer slog of such a long walk. I’ll long remember his horrified realisation that the lyrics running through his mind as he struggled up an interminable hill, ‘Come on, come on/Come on, come on/Come on, come on/I say!’, were from Gary Glitter’s 1970s hit, I’m the Leader of the Gang (I Am) – given Glitter’s subsequent conviction, the subsequent lyric, ‘I’m the man who put the bang in gang’ becomes even more dubious!

Few books could stand alongside Belloc’s classic travelogue, so it’s much to McCarthy’s credit that I enjoyed his latter-day account of pilgrimage near as much as The Path to Rome.

Adventures in Bookland: Deathwatch by Steve Parker


This is, basically, the male equivalent of chick lit: big blokes with blasters blasting bad guys. The Warhammer 40k universe misses one trick though. Being dedicated to war – it exists, after all, to facilitate a war game – the spin-off books ignore one aspect of the 40k universe that might not be obvious to anyone unfortunate enough to actually live in it, but that is obvious to at least this visitor: it is a world of wonders. Magic, elves, orcs, space ships, demons – it’s as if all the fantasy creatures of earth’s deep past were waiting for us all along, among the stars. Admittedly, in this version of the future, they are all busily trying to exterminate us, as we are attempting to destroy them, but there you go – you can’t make an Imperium without cracking a few alien skulls. And in the cracking of alien skulls, none are better than the Space Marines. Unfortunately, in the world of 40k books, none are so boring as the Space Marines. Being engineered killing machines who know no fear, sexual desire, curiosity or anything much else apart from glory, honour and loyalty, they make poor protagonists for a 40k novel. Far better when the hero is a normal human being, such as the Gaunt’s Ghosts novels, or an abnormal one, such as the Eisenhorn novels. Even better if you can get Dan Abnett to write the books too. But even Abnett failed to make the Space Marines interesting when he essayed a Space Marines novel. In that respect, Steve Parker does a better job, but I wish he’d stayed longer with the characters from the Inquisition that he introduces alongside the eponymous Deathwatch Space Marines.

Albert’s rule number 1 for 40k novels: Space Marines are cool as background characters, riding in on Storm Ravens and killing aliens and Chaos spawn, but they’re not to be used as central characters. Might as well make a tree the hero, it would be less wooden.