The Perils of Context

Why it’s always a good idea to check the dictionary rather than relying on context to reveal the meaning of a word: I thought ‘afflatus’ meant farting. Turns out it means ‘a divine creative impulse or inspiration’. I only wish I could remember the context where I read it and thought afflatus meant farting!

Don’t Give Up

 

What’s the difference between an amateur writer and a professional writer?

The professional didn’t give up.

To emphasise the point here’s my publication history by decade:
 
1980s – one short story published
1990s – one short story published
2000s – two stories published (and a few articles in magazines)
2010s – about 40 short stories published, 11 books and I’ve lost count of the number of magazine features
 
So don’t give up and keep getting better.

via GIPHY

Travel In the Old Style

Proofreading the excellent Bradt Guide to Somaliland, how about this for an insight into travel in and out of an unrecognised country:

Coming by road, a few 4x4s daily connect Djibouti and Zeila to Hargeisa [the capital of Somaliland]. These… cost around US$40 for a cabin seat, US$28 to sit in the boot, and less for a perch on the roof.

Note that the journey from Djibouti to Hargeisa takes a minimum of 12 hours, and that’s if your 4×4 doesn’t break down on the way. One traveller reported it taking him 36 hours to make the journey. That’s a long time to spend sitting in the boot!

Unintended Meanings

One of the unexpected perks of my occasional editing work is finding unintended explosions of double meaning in a piece of work. The one I found this afternoon is, however, probably the finest example of an unintentional double entendre I’ve ever read (and I know it was unintentional as this is meant to be a book for children). Enjoy!

He stretched his hand down toward that terrifying snake! The moment he touched it, his staff was in his hand, straight, and hard, and long.

Big Announcement Number 2

https://www.youtube.com/watch?v=3R5gHF0vzew

Second, sustained drum roll….

Here it is, big announcement number 2: my next non-fiction book will be called Warrior: the Biography of a Man with No Name, and it will be published by Granta.

Now this really is pretty big: Granta is about the most prestigious publisher in Britain and having them publish my next book will ensure it gets noticed in all sorts of places that have previously ignored my work, including the national press (although that also opens the possibility of scathing reviews from reviewers working on the principle that a good kicking is always more fun to write and read in review than any amount of glowing praise).

As to the book itself, it is the story of one of the people excavated at the Bowl Hole Cemetery near Bamburgh Castle. While human remains provide all sort of useful archaeological evidence, their great drawback is that skeletons are mute: they tell no story. But for a variety of reasons, we can say much more about one particular man, buried within sight of castle and sea, than is normally the case, and it is his story that we will tell in this book. When I say we, it really will be a book written in the first person plural, as I will be collaborating on it with Paul Gething, one of the directors of the Bamburgh Research Project and the man who excavated the body of this Dark-Age warrior.

Warrior will be published in 2019.

Photos from Prinknash Abbey

I had a wonderful stay at Prinknash Abbey with the Benedictine monks there before giving a talk on the Northumbrian kings on Tuesday 25 April at the abbey shop. The community made me most welcome, but I must give particular thanks to Fr Mark and Fr Martin, and Brother Chris for their warmth (and for coming to my talk!). This short experience of the monastic life was enough to tell me that only the most extraordinary of people have the discipline and dedication to lead such a life. At the shop, Caroline Turley made sure everything ran as smoothly as the coffee they serve in the shop (and it turns out she has three sons too). And the people who came to the talk made for the most wonderfully attentive and inquisitive audience – thank you all.

Here are some selected photos from my stay (there’s many more – ask if you want the rest).

My room in the guest wing (no radio, no TV, no WiFi – just silence and the view).

And this was the view from my window.

Looking over the Vale of Gloucester

While this is what the abbey looks like.

Prinknash Abbey from the front

And this view is from the monastic enclosure which is not open to the public.

Looking up to the abbey from the monastic enclosure

The abbey in bright morning sun.

The morning sun casts the shadow of the bell tower on the wall behind

Some views of the monastery garden which is being renovated.

The wonderful display of my books that Caroline had created in the monastery shop.

And this is me with Caroline Turley, the woman who organised everything so well.

Some of the lovely people who came to hear me speak about the Northumbrian kings.

And me thanking Fr Mark Hargreaves for asking me along in the first place.

Adventures in Bookland: Fire In Babylon by Simon Lister

It was the August of 1976. The sun burned down from a sky that had turned bronze in the heat. Grass, everywhere, was brown and parched. There had been no rain for two months, and for the last six weeks the temperature had barely dropped below 90F. It was the most memorable summer of my young life and, 13, I was going with my father to see the cricket.

But not just any cricket. Although my father is Sri Lankan, we were not going to see Sri Lanka play England (for the very good reason that Sri Lanka was not yet a Test-rated country). We were going to see England play the West Indies – and we were going to see them at the Oval, for the final Test match of the summer. England were already 2-0 down, and playing for pride and self-preservation. And when I say self-preservation, it really was. The West Indies deployed a truly fearsome array of fast bowlers in that match: Michael Holding, Andy Roberts and Wayne Daniel; and this was in the days before batsmen wore helmets, or indeed much in the way of protection beyond pads, gloves and box. It really was a matter of self-preservation. The pitch was a dustbowl, burned the colour of African mud.

We arrived at the Oval to find it ringing, vibrant with West Indian fans playing instruments, singing and dancing. But I was a serious, studious boy – something of the archetype of the Asian school swot. We settled down at mid-wicket, with our drinks and our sandwiches, and waited for the day to begin.

And what I remember even today, 41 years later, is watching Michael Holding gliding over the ground as he ran in to bowl, moving as smoothly as liquid mercury, and then the leap into the bowling stride, a single puff of dust as the bowl struck the pitch, and an image of the batsman, contorted into some position of avoidance or defence. Even with my young, sharp eyes, I never once saw the ball moving through the air, but only the effects it had on wicket and man.

There has never been a team like that West Indies team, that came into itself on that tour of England in 1976 and then proceeded to dominate international cricket for nearly the next 20 years. This marvellous book tells the story of how they reached that position of dominance and, much more difficult, how they kept it for so long. It’s a tale of resistance, revolt, and hours and hours and hours of sheer bloody hard work made to seem completely effortless in the smoothness of Michael Holding’s run up or Viv Richard’s lifting the ball to the boundary for 6. It’s a tale of all the once-colonial peoples, such as my father’s Sri Lankans, realising that they really could match and beat the English who had given them these games. It’s a reminder of how far we’ve come from the everyday racism of the 1970s. And it manages to do all this through the medium of grown men throwing and hitting a ball around for interminable periods of time. Cricket is one-on-one combat in a team context; it’s gladiatorial and, despite all the talk of the spirit of cricket, inherently confrontational, veiling its violence behind its pristine whites. It’s the most perfect game and also the most ridiculous. And this is one of the best books I’ve read about it.