@meta, the company that controls Facebook, Instagram and WhatsApp, has stolen my work, and the work of countless other writers, to train its AI. It has done so without asking and without paying anything to do so. This is theft. If you would like to register your voice against this, and help to ensure that human writers have a future, please sign this petition: https://chng.it/z2mFLV8HMY
Just how much more literary is it possible to get? I’ve written a feature for the Granta website. About the only things I can think of with more literary kudos would be writing something for the Granta magazine or winning the Booker Prize! The artice is called ‘Dem Bones, Dem Bones, Dem Dry Bones’ and you can read it here.
What’s the difference between an amateur writer and a professional writer?
The professional didn’t give up.
How cool is this – I’m in a book with Ray Bradbury! The book is Ex Libris: Stories of Librarians, Libraries & Lore, and my contribution is called ‘The Last Librarian: Or A Short Account of the End of the World. Ray – we’re on first-name terms now we’ve shared a book – Ray’s contribution is called ‘Exchange’ and there, he’s already shown why he’s a better writer than me: economy. A one-word title as opposed to 12 words. If you want to read the stories, the book is available on Amazon and through all good book sellers.
One of the unexpected perks of my occasional editing work is finding unintended explosions of double meaning in a piece of work. The one I found this afternoon is, however, probably the finest example of an unintentional double entendre I’ve ever read (and I know it was unintentional as this is meant to be a book for children). Enjoy!
He stretched his hand down toward that terrifying snake! The moment he touched it, his staff was in his hand, straight, and hard, and long.
https://www.youtube.com/watch?v=3R5gHF0vzew
Second, sustained drum roll….
Here it is, big announcement number 2: my next non-fiction book will be called Warrior: the Biography of a Man with No Name, and it will be published by Granta.
Now this really is pretty big: Granta is about the most prestigious publisher in Britain and having them publish my next book will ensure it gets noticed in all sorts of places that have previously ignored my work, including the national press (although that also opens the possibility of scathing reviews from reviewers working on the principle that a good kicking is always more fun to write and read in review than any amount of glowing praise).
As to the book itself, it is the story of one of the people excavated at the Bowl Hole Cemetery near Bamburgh Castle. While human remains provide all sort of useful archaeological evidence, their great drawback is that skeletons are mute: they tell no story. But for a variety of reasons, we can say much more about one particular man, buried within sight of castle and sea, than is normally the case, and it is his story that we will tell in this book. When I say we, it really will be a book written in the first person plural, as I will be collaborating on it with Paul Gething, one of the directors of the Bamburgh Research Project and the man who excavated the body of this Dark-Age warrior.
Warrior will be published in 2019.
I had a wonderful stay at Prinknash Abbey with the Benedictine monks there before giving a talk on the Northumbrian kings on Tuesday 25 April at the abbey shop. The community made me most welcome, but I must give particular thanks to Fr Mark and Fr Martin, and Brother Chris for their warmth (and for coming to my talk!). This short experience of the monastic life was enough to tell me that only the most extraordinary of people have the discipline and dedication to lead such a life. At the shop, Caroline Turley made sure everything ran as smoothly as the coffee they serve in the shop (and it turns out she has three sons too). And the people who came to the talk made for the most wonderfully attentive and inquisitive audience – thank you all.
Here are some selected photos from my stay (there’s many more – ask if you want the rest).
And this was the view from my window.
While this is what the abbey looks like.
And this view is from the monastic enclosure which is not open to the public.
The abbey in bright morning sun.
Some views of the monastery garden which is being renovated.
The wonderful display of my books that Caroline had created in the monastery shop.
And this is me with Caroline Turley, the woman who organised everything so well.
Some of the lovely people who came to hear me speak about the Northumbrian kings.
And me thanking Fr Mark Hargreaves for asking me along in the first place.
Yes, it’s me, speaking at Prinknash Abbey on Tuesday 25 April at 10.30am. I’m really looking forward to this as I’ll get to spend the previous day and night with the monks of the abbey before giving my talk on the Tuesday. If you’re anywhere nearby, do come along (and I’ll sign as many books as you want!).
This, the second book in the Gaunt’s Ghosts series, is where Dan Abnett thinks himself completely into the world of Warhammer 40k. It’s almost like a series of Impressionist paintings, or like flicking through the sketchbook of a master draftsman, as he approaches characters, places and situations within the context of the 40k universe, learning its language and creating its stories. As such, it doesn’t have the narrative coherence, the sheer I can’t-stop-turning-the-pages drive of something like the Eisenhorn books, or other Ghosts novels, but it’s richer, in particular for the way it shows an imagination as special as Abnett’s firing into overdrive.
In Blood and Blade, Matthew Harffy’s recreation of the violent and crucial decades of 7th-century Britain reaches a new depth and resonance. His hero, Beobrand, is a man whose soul has been as much branded by the events of the previous two books as his body has been battered by them – and how good it is to have an action hero not shake off wounds as lightly as a shower of rain. In this book, Beobrand has to travel the path his wyrd has placed him on, between competing kingdoms and the collision of religions. Harffy handles the many action scenes with his customary skill and realism – this is not a book for the faint hearted – but it is in the portrayal of the relationship between Beobrand and a lowly thrall that the author reveals a deepening appreciation of the human condition and how, even in the midst of the most violent of times, people will strive for love and human contact.