End of the Line 5: Wimbledon to Richmond

That a walk so near to the heart of London can summon such variety is a wonder, to be ascribed to the fight to save common land, which led to Wimbledon and Putney Commons being protected by Act of Parliament in 1871, and through the creation by Charles I of a deer park away from plague pits of 17th-century London. The walk from Wimbledon tube station up Wimbledon Hill Road to the Common takes the walker past any number of designer fashion outlets and delis, so the Common itself comes as a relief to the booted and anoraked. And what a relief. Despite the name, Wimbledon Common is more wood than heath; walking through it, trees receding into the distance, it is easy to think that you could spend a lifetime walking it and never penetrate its mystery. Maybe that is what inspired the Wombles.

Following the Capital Ring from the western side of the Common takes the walker into Richmond Park which, with its expanse of deer-grazed grasslands and flocks of ring-necked parakeets, seems almost savannah like in contrast to the deep green depths of Wimbledon.

The deer, sufficiently blasé about people to allow walkers to pass quite close to them, are magnificent, particularly in the autumn when the stags carry their full set of antlers. The last part of the walk provides great views over the Thames, a section along the Thames and even more opportunity to window shop high-end designer outlets.

Walk here: Turning right out of Wimbledon station, head up Wimbledon Hill Road and the High Street to first part of Wimbledon Common. Take one of the westerly paths through the common (wood, really) to join the Beverly Brook Walk, then head west on the Capital Ring Walk into Richmond Park. Follow the Capital Ring Walk through and out of the park and on to the Thames Path, then head downstream to Richmond for its tube station.

Adventures in Bookland: Frenchman’s Creek by Daphne Du Maurier


Let’s be honest now: this is romantic nonsense. Beautifully written and well plotted with all Daphne Du Maurier’s gifts for bringing the Cornish countryside and coasts to vivid life on the page, but the story… Beautiful, headstrong woman caught in loveless marriage with upper-class boor (a marriage entered into on a passing whim), develops major-league crush on rakish (and for almost all the book unnamed) French pirate and then, probably, elopes with him at the end. It’s the female version of James Bond – a wish-fulfilment fantasy to fill a few empty hours.

Adventures in Bookland: In Search of the Trojan War by Michael Wood

Life deals out its cards skew whiff. Some people struggle, burdened with debts personal and afflictions public. Others get given the full house. Witness: Michael Wood. Not only was he blessed with the sorts of looks that historians, historically, were denied – compare him to Eric Hobsbawn for example – but Wood was also gifted the ability to write with a clarity and enthusiasm that matched his on-screen persona. In Search of the Trojan War is a good example: a scholarly account of the archaeological history of the search for Troy good enough, in its grasp of the sources, to stand comparison with the best specialist work, but Wood also writes it in a way that makes the technicalities accessible to the layman. But then of course, good Hector, prince of Troy and all round decent bloke, also realised, as he coughed out his life’s blood on the plains of Ilium with that peacock psychopath Achilles strutting victory above him, that life doesn’t play fair. Take advanatage of that: read this book.

Eric Hobsbawm
Michael Wood

Adventures in Bookland: Fools and Mortals by Bernard Cornwell


While it looks like a novel and reads like a novel, I can let prospective readers in on a secret: Fools and Mortals is not really a novel. It’s actually a paean, an encomium, a love lyric written by an old man who has fallen in love. Old men who fall in love are always fools, but sometimes that foolishness washes away the accreted knowledge of a lifetime to reveal a silver seam lying under all that conventional knowledge.

That is what has happened here. Bernard Cornwell, who is 75 now, ten years ago fell in love. He fell in love with the theatre, with that strange, uncertain magic that happens, sometimes, when people get up on a stage and tell a story to a group of strangers, uniting them all into a shared world. According to Cornwell’s afterword, he’s been acting with the Monomoy Theatre in Massachusetts for the last ten years and this book is the fruit of that extended love affair. While ostensibly about the travails of Richard Shakespeare, jobbing actor and younger brother of the slightly more famous William, it is really an encomium to the theatre and, in particular, to that group of actors, entrepeneurs, playwrights, theatre goers and nobility who, in the late 16th and early 17th centuries created modern theatre in London. While wrapped up in a story of theft and treachery, Fools and Mortals is really about the extraordinary set of circumstances and people that made this all possible, and it’s a celebration of a sort of miracle in plain sight: the creation of a play that works. Having a wife who works in theatre, as actress and voice teacher, I’ve got some second-hand insight into how remarkable the whole process is and how contingent. If not for a London audience large enough to support the theatre and thirsty for new plays, if not for Shakespeare, Burbage, Marlowe and Johnson and their ilk, there would not have been plays to sate that thirst, and if not for a nobility willing to sponsor and protect the theatres and theatre companies from the censors and puritans of the age, it would never have come together.

Fools and Mortals is a celebration of theatre, of this every day artistic and financial miracle, with a side order of story. The story is fun, but the play’s the thing.

 

End of the Line 4: Woolwich Arsenal to King George V

South-east London is so unregarded that the tube doesn’t go there and the DLR tentatively puts a one-station extension over the river and into the area. But Woolwich Arsenal station allows the walker to connect to a series of dramatic views and unexpected finds, unparalleled elsewhere around London.

The view from Shooter’s Hill

Admittedly, the initial stretch doesn’t seem that promising, but once you join the well-signed Green Chain Walk everything changes. Well, it does once you’ve done a bit more urban walking, but that takes you up on to the heights of Shooters Hill (the highest spot in south London at 433 feet/132m), with its glorious vistas of forest and city, and then the even more glorious Oxleas Wood and Meadow, saved from a road being driven through it in the 1990s by a vigorous local campaign.

Oxleas Wood

From there, the Green Chain Walk is green all the way to Thamesmead, passing through the unexpected expanse of East Wickham, quiet Bostall Woods and the even more unexpected remains of medieval Lesnes Abbey, founded in 1178 by Richard de Luci in penance for his part in the murder of Thomas à Beckett.

Lesnes Abbey

Then it’s through Thamesmead estates enlivened by the surprising number of horses grazing the council sward and on to the Thames Path, heading west past the site of the sinking of SS Princess Alice in 1865, when the paddle steamer was struck by a collier and cut in half. Over 600 people died, drowned in water thick with the raw sewage pumped into the river just upstream. Cross over the river via the Woolwich Ferry or under it through the white-tiled Woolwich Foot Tunnel for the short walk to King George V DLR station.

Walk here: From Woolwich Arsenal DLR station take Woolwich New Road to the junction with the A205, then turn left, joining the Green Chain Walk. Continue following the Green Chain signs through to Plumstead Common, then follow the signs to Shrewsbury Park and Oxleas Wood. From Oxleas Wood, follow Green Chain signs to Bostall Woods, and then to Lesnes Abbey and finally Thamesmead Riverside. At the river, head west on the Thames Path to Woolwich, crossing the river via ferry or foot tunnel, and then follow signs to King George V DLR station.

Bostall Woods
Thamesmead
The Thames Path

Adventures in Bookland: Dark Tales by Shirley Jackson


Reading the dark tales in Dark Tales, I thought: Shirley Jackson is the Union version of Flannery O’Connor: haunted by an absence of God so complete that he has been forgotten. With O’Connor, in extremis there is always the glimpse, the offer of grace, though often ignored. Here, the carapace around the world has grown so hard that horrors come into the light and dwell among us without any concomitant hint of the truly supernatural. This is the world of time twisting into endless traps with no escape. These are, indeed, dark tales.

Adventures in Bookland: Blood and Thunder by Dan Abnett

Surprisingly disappointing Warhammer 40k graphic novel, written by Dan Abnett. The basic premise, that an Imperial Guards officer is taken captive by the Orks when so covered in slime that his captor thinks him to be a little goblin creature and adopts him as a lucky mascot, is brilliantly gonzo and should have given licence for completely over the top gonzoid humour. But given the grimdark of the 40k universe, Abnett seems to hold back from going full lunatic – when this story really required the writer to shoot so far over the top as to disappear into orbit – and while there are elements of humour in it, the story remains too firmly rooted in the familiar 40k grimdark. Speaking of grimdark, my greatest disappointment with the graphic novel was the artwork: much of it was so dark and obscure that I couldn’t tell what was going on. I’m not sure if that was just a problem with the colour reproduction on my copy or if that was intentional: if the latter, take this on board, Black Library: grimdark can still be brightly coloured. Then the reader would be able to see all the horror!