California Forming – the life of Junipero Serra

California is a state of contradictory perceptions: the golden land of opportunity on one hand, the diseased home of the tarnished American dream on the other. So it’s no surprise that Junipero Serra, the man who could be called the founder of California, should attract a similar range of views. But who was Junipero Serra and how did he earn such differing evaluations?

Junipero Serra
Junipero Serra

The facts are straightforward enough. He was born in 1713 in Majorca and entered the Franciscan order at the age of 16. For 20 years he followed the usual path for a bright Franciscan: study, ordination, teaching. If he had continued in that vein Serra would have merited no more than a footnote in obscure textbooks of theology. But the man wanted something more and, inspired by the missionary example of St Francis, set off to Mexico to…do more of the same for the next nine years. But a hint that that would not remain the case forever was given by the fact that he walked from the port all the way to Mexico City, some 200 miles. Another was his unusual practice, when preaching on repentance, of pulling his habit down from his shoulders and whipping himself. Apparently this was done not only to mortify himself but to encourage contrition in his congregation.

And sure enough, things did change for Serra. Spain, worried about a Russian claim on the Pacific coast (remember that at this time the Tsar still owned Alaska), wanted to establish priority in Alta (upper) California and to this end the governor agreed to fund missions there. Serra was placed in charge, setting off at the age of 56 and, 24,000 miles, nine new missions and 14 years later, he died at Mission San Carlos Borromeo. The missions he founded, including San Francisco de Asis (or Dolores), were linked by El Camino Real, a dirt road that eventually stretched some 600 miles, along the length of present-day California.

And here’s the controversy. Was Serra the ecclesiastical face of Spanish hegemony, pulling the free-spirited Native Americans of the coast into a life of stifling monastic discipline in the missions, the unwitting vector of the exotic diseases that killed thousands of natives and the general of the forces of cultural genocide? Or was he a man burning with an ideal of love that we find today hard to comprehend, a priest who continually fought with the secular authorities to protect the Indians  and who offered up his life and labours for their salvation? The question seems inextricably bound up with our as yet unresolved questions about the nature of our own society, and because of that the legacy of Junipero Serra seems likely to remain uncertain for many years to come.

The First Iconoclasm

Individuals fall prey to illness, but the contagions that infect a civilisation are ideas. In the 8th and 9th centuries a Byzantine civilisation reeling before the onslaught of expansionist Islam was simultaneously torn apart by a controversy that might seem ridiculously abstruse from our vantage point: whether or not it was permissible to paint images of Christ and the saints. But to conclude that the Byzantines were wasting energy desperately needed for the defence of the empire is to make the mistake of judging them with the myopic gaze of the 21st century. Icons expressed the civilisational core of Byzantium, therefore their creation or destruction was vital to how New Rome saw itself.

Interior of an Orthodox church.
Interior of an Orthodox church.
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Acceptance Notes – no.10 in a series

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Hi, Edoardo–

Congratulations!

We’d be pleased to accept the story, “From Here to the Northern Line,” for inclusion in Third Flatiron Publishing’s spring 2014 anthology, with the working title,  “Astronomical Odds.”

Please let us know if the story is still available.

We found the story about an autistic boy who spots Tube stations to the stars to be very entertaining.

We’d want the exclusive e-rights for six months. If this sounds good, please let me know, and I’ll get back with a contract. The anthology is scheduled for e-publication on March 15, 2014.

Rejection notes – no.22 in a series

Dear Edoardo,

Thanks for the kind comments about electronic submissions. I’m glad it gave you a chance to submit “Ghost of Mars.” I enjoyed reading this, but the end didn’t quite win me over so I’m going to pass on it. Best of luck to you placing this one elsewhere, and thanks again for sending it my way.

If I do this again I hope to see more submissions from you.

Emperors and Sultans

This article first appeared in the Time Out Guide to Istanbul a few years ago.

On the face of it, wielding absolute power as the emperor of the Byzantines or sultan of the Ottomans might seem like a good job. You got to be the main man in what was, for much of the time that both empires endured, the most magnificent city on earth. The Imperial reception rooms of the Byzantine Emperor had golden lions that roared and golden birds that sang. The Ottoman sultans were certainly not outdone in ostentation, although their displays could sometimes take rather charming turns, such as when Selim II wrote to an official in Aleppo: ‘I need about 50,000 bulbs for my royal gardens… I command you in no way to delay.’

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Book review: Innocence by Dean Koontz

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** spoiler alert ** The engine driving this story, and the key to one’s enjoyment of it, is the mystery of the protagonist. Addison Goodheart lives in isolation in the tunnels under New York, and has done so for 18 years, only venturing out in the quietest times of night, or when the city’s normal inhabitants are driven indoors by particularly bad weather. He sequesters himself – as one of the Hidden, and we learn there are, or were, at least two others – because, on seeing him, people try to kill him. The midwife tried to smother him at birth, his own mother came near to killing him and, in the end, banished him from their home because she could bear the sight of him no longer, strangers seeing him, assault and try to murder him, but Addison remains innocent of wrongdoing. So, the question driving the book, and the reader, is why? One’s initial thought is some physical disfigurement, but it quickly becomes apparent that is not the case. I did wonder, as I’d reached near five sixths of the way through the book (which retains Koontz’s normal narrative flair although in retrospect there may have been some authorial handwaving to drive us past some plot points), whether Koontz would simply leave it open; I was beginning to suspect that he’d dug himself a hole from which there was no escape, other than ignoring the fact he was in a hol in the first place. But doing this would have been a complete authorial cop out.

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Why Do Writers Do It?

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The last two sentences of The Box of Delights by John Masefield.

‘Have you had a nice dream?’

‘Yes,’ he said, ‘I have.’

Why? John Masefield, why did you do it? I’d followed Kay Harker through 308 pages of adventures, from mysterious strangers, who apparently remembered this land from pagan times, warning him that ‘the Wolves are running’, through trips in time, changes in size, encounters with talking animals and medieval philosophers, flying cars, pompous policemen – and I’d even read the poems you’d stuck in the text, word for word, and how many readers do that and don’t just skip the poems and carry on with the story, and then, and then, you go and spoil everything.

It was all just a dream.

Is there any more pathetic, more deal breaking, more deceitful and fraudulent phrase in the whole of literature? I, as the reader, have accompanied the writer through the story, accepting it and embracing it, and then, at the end, the writer turns around and spits in your eye: Ha! Fooled you! It was all a dream.

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Book review: Johnson’s Life of London by Boris Johnson

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Johnson writes with the chutzpah of a tabloid journalist and the allusions of a Classical scholar. The book, a history of London through portraits of notable Londoners through the centuries, is vivid and shot through with the sort of one liners that would not be out of place on ‘Have I Got News For You’. It may be an act, but what a finely honed act it is – and I can’t imagine Ken Livingstone writing a book nearly as readable.

 

Book review: London: the Concise Biography by Peter Ackroyd

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Ackroyd’s biography of London comes garlanded with accolades and they are well deserved: beautifully written, with a telling eye for detail and stuffed full with anecdote and incident, it is a meditation and discovery of an almost infinitely varied city. Calling it a ‘biography’ rather than a ‘history’ is not, in fact, an affectation but a description – Ackroyd treats London almost as a living creature, obeying the primal impulse to grow and spread (although London does not reproduce itself but, like the Borg, assimilates). My only real criticism is that while Ackroyd argues for the essential paganism of the city, he often brings up but then ignores the many expressions of radical religious dissent that have arisen in London – it’s the only major lacuna I noticed in the book.

Book review: Daily Life in Anglo-Saxon England

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The only reason this is not a five-star book is that for the price (£32!!!!) I’d have expected lots of illustrations and a colour section: there’s a few black and white photos, and 25 or so illustrations, but that’s it. Leaving that aside, the actual text provides a wealth of information about the culture and environment of Anglo-Saxon England, from birth to death to burial (a lot on this, of course, as dead bodies are among the most eloquent of remains). A must read for anyone interested in the period.