Some unusual acquaintances are made online. In my case, few have been more unexpected but more welcome than my getting to know Andrew and Jane Norriss online. The name might not immediately mean anything but anyone watching TV in the 1990s will know Andrew from The Brittas Empire. Andrew wrote the first five series.
But then, with one of the more unexpected career swerves, he decided to throw in TV writing in exchange for the considerably less lucrative vocation of writing books for children. Mind, he still couldn’t completely escape the octopus clasp of television, for the producers took one read of his book Aquila and immediately saw what anyone reading it must see: that this is one of the most perfectly crafted stories ever written. And they promptly slapped it on television.
I must admit that the Aquila TV series was really rather wonderful. But, of course, past performance is not an indicator of future returns and, given the unlikely collision of talents that go into making a good TV programme, it’s unlikely that the lightning of success would strike again. Besides, working with TV people is like supping with the devil: something best done with a very long spoon.
So, thankfully, Andrew’s been able to escape the dead grasp of television, and he’s been busy writing further books for children – most of which I’ve read and reviewed, here (The Unluckiest Boy in the World) and here (The Portal) and here (The Touchstone). His latest, Jessica’s Ghost, I fear lays him open to the further blandishments of TV land so get in there and read it before some producer ruins it.
Given my untrammeled enthusiasm and admiration for Andrew’s work, imagine how pleased I was to find out that he liked my work too. He’s actually read Edwin: High King of Britain and Oswald: Return of the King. This time, though, putting my marketing cap on, I thought I’d get him to read a pre-publication copy of Oswiu: King of Kings in the hope that his recommendation might open up the 8-12 junior reader market to me. Well, not really. Oswiu is not really suitable for 8 year olds (although I don’t think there’s anything in it that would be unsuitable for a 12 year old moving on to trying adult books for the first time). But, really, I just wanted Andrew to read it. And he did, and here’s what he had to say about it.
Edoardo Albert conjures up an extraordinarily vivid and authentic picture of life in 7th Century Britain that is hugely enjoyable. This is fabulous story-telling, with the themes of greed, ambition, nobility and the power of religion woven together with consummate skill. This is the real Game of Thrones – a fabulous story, beautifully told, that turns out to be based on fact!
You can imagine just how pleased I am with this. Andrew is probably the most talented writer I know and to have such an endorsement is praise indeed. You hear that low pitched hum in the background? That’s the sound of a writer, purring.