On the never rains but it pours principle, to add to the contracts for the next two volumes of The Northumbrian Thrones, signed yesterday, I’ve also just put my signature to a contract with Amberley Publishing to write a biography of Alfred the Great! This is particularly exciting because I’ll be writing the book with Dr Katie Tucker, the osteoarchaeologist at the centre of the research efforts to locate and identify Alfred’s remains, as shown in the recent BBC2 programme, The Search for Alfred the Great (it’s no longer on iPlayer, but a search on YouTube might just find the whole programme).
I’m delighted to say that I’ve signed contracts with Lion Fiction for the next two volumes in The Northumbrian Thrones saga, the stories of kings Oswald and Oswy (and yes, they were brothers and their father had a weird fixation on the letter ‘O’; he had no less than eight sons: Oswald, Oswy, Oswudu, Oslac, Oslaf and Offa, topped and tailed with the eldest, Eanfrith, and the youngest, Æbba). Oswald: Return of the King (and this is not just a shameless attempt to rip off Tolkien; the Good Professor seems to have based aspects of Aragorn on Oswald) should be out early next year, and Oswy: King of Kings in 2015. Here are the first versions of their covers: tell me what you think.
I’m delighted to say that my story, ‘From Here to the Northern Line’, will appear in the Astronomical Odds anthology from Third Flatiron Publishing – and my estimable wife, Harriet Whitbread, will be recording the story so that it will be available as a podcast. Since Harriet is supremely gifted at bringing words to life, this really will be worth listening to! Here’s the cover of Astronomical Odds – the book is out on 15 March.
Here it is, the final version of the front and back cover of Edwin: High King of Britain. We had to, I think literally, stop the presses to get the quote from Publishers Weekly in there, but it was worth it.
The first review of Edwin: High King of Britain, from the indefatigable Publishers’ Weekly, is in, and it’s a goodie:
In the first installment of the Northumbrian Thrones, a new historical fiction series, Albert launches readers into the tumultuous world of 7th century Northumbria…Albert’s focus on the religious element does not detract from the political and dramatic aspects of the history he is portraying. Rather, it lends an extra dimension of psychological turmoil, because characters must deal with the problem of not only individual identity but also the beginnings of a national identity related to religion. Albert’s offering is a highly entertaining and refreshing work of historical fiction thanks to his emphasis on the precarious intersection of religion and identity.
My favourite bird, the Shoebill. One glance from its gimlet, you-looking-at-me-punk eyes is invariably enough to cheer me up. How good it is to know that there are creatures on this planet who really, really, really don’t care a spit for us capering, self important human beings.
A neutral observer in the sixteenth century would have concluded that it was only a matter of time before the armies of Islam conquered all of Europe. Since the Arabs had burst from their desert fastnesses in the seventh century they had carried all before them. The first surge had seen all the previously Christian lands of north Africa and much of the middle East become Muslim, while the Persian Sasanian empire had also fallen. By 750 Islam ruled all the countries in a broad band from Spain in the west to what is now Pakistan in the east. Only the Byzantine Empire, the Christian successor to Rome founded by Constantine, prevented the advance of Muslim armies into Europe.
Centuries of consolidation and gradual expansion followed, as the strength of the Byzantines was gradually whittled away until, a millennium after its foundation, Constantinople fell in 1453 to the forces of the expanding Ottoman empire and its great sultan, Mehmet II, who was aptly nicknamed ‘the Conqueror’. Internal struggles temporarily halted the Ottoman onslaught, but with the accession of Suleiman I (1520-66) the attack on Europe resumed. Hungary was conquered and Vienna besieged in 1529. If freak rain storms had not caused Suleiman to abandon his artillery it’s almost certain that Vienna would have been taken, leaving the advance into Germany clear.
So by the 16th century the Christian world had been reduced to a remnant of its former extent and Europeans gloomily forsaw a time when Islam would have conquered all. Even the Crusades, which we so often see as some sort of imperialist adventure, were more like a desperate attempt to turn an inexorable tide. Sebastian Brant, in one of the most widely read books of the era, The Ship of Fools, summed up the mood:
Our faith was strong in th’ Orient,
It ruled in all of Asia,
In Moorish lands and Africa.
But now for us these lands are gone
‘Twould even grieve the hardest stone….
Four sisters of our Church you find,
They’re of the patriarchic kind:
Constantinople, Alexandria,
Jerusalem, Antiochia.
But they’ve been forfeited and sacked
And soon the head will be attacked.
In this light, it’s no wonder that the battle of Lepanto in 1571, when a Christian fleet commanded by the 24-year-old Don Juan of Austria defeated the hitherto invincible Ottoman navy in one of the great naval encounters in history, caused rejoicing all over Europe. Poets, painters and writers celebrated the victory, the Protestant Queen Elizabeth I decreed services of thanksgiving for the triumph of the Catholic Holy League and Pope Gregory XIII declared 7 October, the anniversary of the battle, the feast of Our Lady of the Rosary. For once, Europe was united. Miguel de Cervantes, who fought in the battle, losing the use of his left hand, called it ‘The most noble and memorable event that past centuries have seen or future generations can ever hope to witness.’
The Museu Marítim in Barcelona has a full-scale replica of Don Juan’s flagship, La Real, on whose forecastle ‘the last knight of Europe’ danced a joyful galliard in the face of an enemy fleet that stretched to the horizon.
Thanks very much for sending this story to […]. Unfortunately, it’s not quite right for us. I really liked the setting and the sense of detail, and I felt an intriguing acuteness in Cavel’s tone and situation, but the exposition on the background felt slow of pace to me after the first couple paragraphs, and I didn’t feel as much of an acuteness or urgency develop in Cavel’s situation as I needed for the story to continue to hold my interest.
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