Current Archaeology reviews Northumbria: The Lost Kingdom

Current Archaeology magazine has reviewed Northumbria: the Lost Kingdom in issue 278. Reviews aren’t online, so they’ve kindly given me permission to reproduce the review here.

Once, Gething and Albert write, ‘Geordies ruled us all’. While not strictly true, there is no doubt that during its 7th- to 8th-century Golden Age, the Anglian kingdom of Northumbria was one of the great powers of Medieval England, home to ecclesiastical heavyweights like Bede and Alcuin, and to stunning artefacts like the Franks Casket. But these achievements are too often overshadowed by other kingdoms, particularly Wessex, the authors argue. To redress this, historical sources and archaeological evidence are woven together in a rich tapestry, using findings from the Bamburgh Research Project (CA 239) – of which Gething is a co-founder and co-director – and other excavations to expand our picture of Northumbria from the monastic and royal spheres that form the focus of most contemporary writings. This is interspersed with interviews from archaeologists and historians with expertise in a wide range of fields. A lively and interdisciplinary book.

Shortlisted Notes – no.1 in a series

According to my Duotrope submissions’ tracker (have I mentioned that Duotrope is the single most useful writers’ resource on the internet? And, no, they don’t pay me – I pay them) I have three stories shortlisted. When Animals Spoke is the third.

Dear Edoardo,

I will admit, your fiction makes me laugh. I enjoy your humor immensely. I’m passing this on to the second round readings.

It will be a few months before the issue is finalized, so your continued patience is appreciated.

Sincerely,

Acceptance Notes – no.6 in a series

There’s been a rather long, barren period for story acceptances. For fellow Duotrope users (the single most useful resource for writers on the internet): my acceptance ratio had, rather depressingly, dropped below that of the average of other users to have submitted to the same markets, so this email was particularly welcome. And in fact, not one but two acceptances in the same email, with ‘The Adventures of Captain Andrea Vasanius’ being released from ‘pending, shortlisted’ purgatory to the bright, sunny uplands of editorial tinkering.

Dear Edoardo,

Okay, after holding this one over for multiple re-readings, we’ve decided to accept it. Formal acceptance letter to come tomorrow.

As the “The Adventures of Captain Andrea Vasanius” — did I ever get around to sending you a formal acceptance letter or contract for that one? Whatever the “subject to some changes” part was, it’s slipped my mind, but I’m sure we can work it out in the editing cycle.

Rejection Notes – no.11 in a series

This rejection note is rather encouraging, as the publication concerned is really quite prestigious.

Dear Edoardo Albert:

Thank you for sending us “Plausible Deniability”. We really enjoyed this piece, but we didn’t feel it was right for […].

We hope that you will continue to send us your work.

Sincerely,

The Editors of […]

Rejection Notes – no.10 in a series

It would appear that ‘Knock Knock’ is one of those stories that doesn’t quite fit into literary categories. It’s most recent Rejection Note runs:

Dear Edoardo:

Thank you so much for submitting “Knock Knock” for our consideration, and for your interest in […]. We apologize for the delay in responding to your submission, and we are taking steps to improve our response time.

We are going to pass on this particular effort, but I hope we shall see more stories from you in the future. It’s a good story, but not the right fit for us.

Good luck in your ongoing endeavors.

Warmly,

Compare to Rejection Note no.9:

Dear Edoardo Albert:

Thank you for sending us “Knock Knock”. We really enjoyed this piece, but we didn’t feel it was right for […].

We hope that you will continue to send us your work.

Sincerely,

The Editors

A new me

I have spent quite a lot of time – probably more than I should – on author photographs: tilted head, rested on pensive finger; serious, face on, stare; pencil portrait. But now I realise all that thought was wasted. What people really want is a baby grimace! So, I present to you my new author photograph: Isaac, with supporting role played by me.

E and Isaac small

Review of Boneland by Alan Garner

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I went back and re-read Weirdstone and Gomrath, then read Boneland a second time to see if it worked as a sequel and culmination to the first two books. On first reading Boneland, before Christmas, I thought it did work but now, having refreshed my memory of the previous books, I don’t think it does. As a stand alone book, relying on vague memories of books read years ago, and telling the story of a middle-aged man dealing with mental illness it is quite brilliant. But, with Weirdstone and Gomrath fresh in mind, there are too many loose ends for it to work as sequel and culmination.

Spoilers!

What seems to have happened is that at some unspecified point after the end of Gomrath, Susan rides off on Prince. The horse is found on an island in Redesmere (said island having been unknown to all including Gowther in Weirdstone but now apparently common knowledge) but no trace of Susan is ever found. Colin, in a frenzy to find her, goes to the Edge and attempts to wake the Sleepers (quite how knights supposed to fight a final battle against evil could find a sister who’s ridden off into the stars is not perhaps obvious, but let’s grant that Colin is distraught). Presumably to stop Colin doing this again, Cadellin makes him forget everything that happened before his 13th birthday, but then makes him guardian of the Edge, unable to ever leave. Colin, as an adult, then undergoes psychotherapy with Meg, who appears to be a considerably more attractive and much kinder version of the Morrigan. No mention is ever made of what happened to Colin and Susan’s parents, and a pair who were previously siblings, with Colin the elder, suddenly become twins. Gowther and Bess die off stage in the gap between books.

Another problem, with respect to the first two books, is the pre-human shaman who sings upon the Edge in prehistory. I can see how this shows the antiquity of the Edge, and how its stories play out through repeated epochs, but, as a sequel to the first two books, it would have been better to counterpoint the present with a magician/shaman from the pre-history that figures in the Weirdstone and Gomrath, namely the early British (Celtic) legends and lore of this land, before the Romans came.

I do not see how these actions can be squared with what we know of the characters from the first two books. So, Boneland I would classify as a brilliant book on its own, and even better when it draws upon the distant memories of stories read in childhood, rather as childhood itself disappears into revisited and rehearsed memories and photos, and the life stuff that is completely lost and gone. But when read in sequence, so that the previous books are fresh in memory, Boneland seems a failure as a sequel, since it does not follow, embroider or flesh out the first two books, but rather contradicts them in too many ways.

I would be interested to hear other people’s thoughts.