The Presence of the Past – no.1 in an occasional series

Writing, as I do, about the seventh century AD, you’d think there would be precious little left in the way of physical connections to this time. After all, the Romans built in stone and stone endures, but the Angl0-Saxons were master carpenters, rejecting stone and brick-built dwellings for great halls made of wood – and wood decays, or burns.

So, yes, there is on one level much less left from the seventh century than from the four centuries of Roman rule. However, in writing the Northumbrian Thrones, I’ve been surprised at what there is to be found: places, buildings, structures and artefacts that have survived the vicissitudes of the centuries to bring into the present the witness of the past.

Of these, the Bamburgh Sword (which I wrote about for History Today here) is possibly the most evocative. Excavated by Brian Hope-Taylor from the castle grounds in the 1960s, it was forgotten and, after Hope-Taylor’s death, was put into a skip when his home was emptied – it was only the quick thinking of some pHD students that saved it. The Bamburgh Sword was forged in the seventh century of six strands of pattern-welded iron, making it possibly the finest weapon ever made, well, anywhere. It was wielded, in battle and rite, for three centuries before, finally, it broke and the shards were interred in the grounds of the stronghold it had helped to protect. Such an extraordinary weapon was fit for a king – given where it was buried and when it was forged, the extraordinary possibility arises that the Bamburgh Sword was the very weapon wielded by Oswald, the Lamnguin, the White Hand, the king who returned from over the sea.

After centuries under ground, the blade itself is a corroded shadow of its once self but it is on display in the Archaeology Room in the castle. This is what it looks like now (in the hands of Graeme Young, co-director of the Bamburgh Research Project):

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And this is a newly forged reconstruction of what the sword would have looked like when it was wielded in defence of the kingdom of Northumbria:

bamburgh-sword

Far away from Bamburgh, on the isle of Anglesey, is another, much-less known, connection with the seventh century. Back then, the kingdom of Gwynedd was the proudest and strongest of the kingdoms of the Britons that continued to resist the slow conquest of Britain by the Angles and the Saxons. The kings of Gwynedd had their fortresses and strongholds in the mountains of Snowdonia, but the ancient island over the Menai Strait served both as the breadbasket for the kingdom and its political centre, with the royal court based in what is now the small village of Aberffraw. Just two miles east of Aberffraw is an even smaller village, Llangadwaladr, and set into the wall of the parish church is a gravestone. But not just any gravestone. This stone marked the grave of Cadfan ap Iago, king of Gwynedd and father of Cadwallon, the nemesis of Edwin of Northumbria.

Go to the quiet, serene church of St Cadwaladr and there, embedded in the far wall, is the stone. It reads, ‘Catamanus rex sapientisimus opinatisimus omnium regum’, which means, ‘King Cadfan, most wise and renowned of all kings’. This is what it looks like:

Cadfan

And here I am, touching this direct link to the world of seventh-century Britain, when we visited Anglesey last summer.

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It is extraordinary to think that these, the sword and the gravestone, have managed to survive when so little else has. If people are interested, I’ll write about other places and things that bring the past into the present in further articles for this new series.

What’s Wrong With Runners?

weakness-clipart-TiredWhy don’t they smile?

You see, it went like this. I was into my fifth decade, I was sitting at a desk all day, and gravity was beginning to win in its battle against the flesh. So, to fight back, I decided to try running. After all, it only required me to step out the door. There are some lovely parks nearby. And running – unlike pretty well every other form of exercise – doesn’t require any money (as a dirt-poor writer, this latter was a major consideration).

So, one morning not so long ago, I put on my trainers and stepped out the door. It was a lovely morning. The sun was out, the birds were singing and, what’s more, having expected on my first run only to be able to puff my way once round the park, I found that I could run quite a bit further. There’s few things more flattering to a middle-aged man’s vanity than to find he’s fitter than he thought he was.

Running was fun. Running was great. Everyone should do it.

But then, I started passing other runners. Heads down, staring at the pavement, or looking glazedly ahead. What was going on here?

Maybe it was down to the time I was running. After all, people aren’t usually at their best early in the morning. So, I thought I’d try going out when lots of runners were around, when everyone would have had the chance to wake up properly and enjoy the day – and the run.

Good Friday was a bank holiday, it was sunny, it felt like the first day of spring and the park was so crowded with runners that traffic lights where paths crossed would have been useful (the green man would be shown jogging on the spot). In fact, it’s got so busy, the council is running a consultation on creating jogging paths. But not a single runner I passed even made eye contact, let alone acknowledging another runner. I had expected some sort of fellowship among runners but it seems that sharing a moment of (slightly breathless) camaraderie, or even giving a rueful (if you’re middle aged and slightly spreading, like me) or smug (if you’re young, fit and full of breath) grin to someone else pounding the pavements simply does not happen. So, what is the matter with runners? Are they all so caught up in a dopamined, iPodded solipsism that they are simply unaware of anyone or anything around them? Or is there some mysterious runners’ etiquette, of which I am unaware, which precludes any contact with other runners?

Come on, runners, smile! Let the world know you’re enjoying it, and this is not some form of modern self-flagellation. (Or maybe it is. After all, we’re a civilisation so fallen away that we now worship our own physical form rather than any god. Self-torture in expiation for crimes against the ideal body; future ages will look at us with the aghast amazement we regard early medieval anchorites, perched on pillars in the desert.)

But if there is some sort of running omerta, could someone tell me. Please. You’ll know me. I’m the chap who grimaces as he passes. That’s me, trying to smile.

On the Radio

This is deeply scary. I’m going to be on the radio, talking – live (!!!)( eeekkk!!!!) – with Jumoke Fashola about London: A Spiritual History on Sunday 20 March at about 8.40am. Here’s the link to the show. If I do well, leave reassuring comments; if I don’t please pass by in sympathetic silence.

Jumoke Fashola
Jumoke Fashola

Update: If you want to listen to me, wind the programme forward to 2 hours and 43 minutes. I’m on for about eight minutes after that.

A Solution to an Age-Old Problem

child-looking-through-window-in-snow

I offer here, free of charge and entirely without obligation, a solution to the age-old problem of how to get your son or daughter out of bed in the morning. Whisper in his or her ear, as they burrow down under the duvet trying to get away from you, the words, ‘It’s snowed,’ and, I guarantee, the child in question will rocket out of bed as if a Saturn V launcher has ignited under the mattress.

It will help, of course, if it actually did snow overnight (which it did yesterday here in London) and, even more so, if this is the first snow of the winter (which it was).

There, problem sorted. The said child (or children) will be downstairs, dressed, breakfasted and ready to go within five minutes. All you then have to do is find the slope and off they go!

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Adventures in Bookland: In Search of Myths and Heroes by Michael Wood

In Search of Myths and Heroes
In Search of Myths and Heroes

Once upon a time, tales tell of a man, slim of hip and youthful of face, who appeared in the homes of many, many people, speaking to them, face to face, although he was far away. Some said he had already passed into the West, yet his voice was still heard, and the tale of his searchings passed down the generations: the Dark Ages; the Trojan War; Alexander the Great; a pair of jeans that wouldn’t cut off circulation to his nether regions. Were these tales based on truth, was there a real man behind them, distinct from the later accretion of legends? Join me now, as I go In Search of Michael Wood…

The man who would come to be known as Michael Wood first appears in the historical record in a far distant age: the 1970s. To give you some idea of how different the world was then, if you wanted to communicate with someone, the best way to do it was by sitting at a table, getting a piece of paper, covering it with illegible squiggles that was known as ‘handwriting’, wrapping it up  and licking a little square of paper to stick on it, and then putting it into one of the magic red boxes that were all over the country in the 1970s. Mind, you had to select the correct red box. The one for this form of communication was round and chest high, with a slot in it; there were other, square, red boxes, taller than a human being, which people disappeared into for varying lengths of time, standing within them immobile while holding a wire attached object to their head. Some archaeologists suggest they were recharging their neural implants, but there are no records of neural implants that early, so it remains mysterious what they were doing in these red boxes.

Now, legend has it that Michael Wood was a historian. Let’s look at the evidence. Here are some pictures of historians through the ages:

Edward Gibbon
Edward Gibbon
Eric Hobsbawm
Eric Hobsbawm
Marc Bloch
Marc Bloch

And now, here’s a purported photo of Michael Wood:

Michael Wood - or is it?
Michael Wood – or is it?

Clearly, this is not the portrait of a historian.

Then what is he?

Reading some of the other books to which his name was attached, I thought he might be a writer. This hypothesis still might hold true, if we argue that In Search of Myths & Heroes is mainly the work of later redactors, drawing together some common tropes in the Woodian corpus to make a reasonable but not, to the expert eye, totally convincing facsimile: viz, the recurring travel motif, the anecdotes of discomfort, the well-turned phrase. But, being the work of a redactor (or redactors – there may have been many involved in producing this text from within the Woodian community), it lacks the touches that confirm authenticity, in particular the overall sense that this narrative is going somewhere.

But if Michael Wood is a writer, then what to make of these supposed appearances on film and TV? I would like here to propose a hypothesis. What we see on screen is, in fact, a projection of the dreams and desires and hopes of the Woodian community that produced these texts: the shifting image (so like the chthonic world of the subconscious) coalesces to produce, for a fleeting hour, the ideal ‘Michael Wood’, that the Woodian community be reaffirmed in its commitment to its Woodian ideals. And thus the Woodian cult continues.

Signs and Wonders

Signs and wonders are tricky things to base decisions upon because by their nature they are amenable to different interpretations. God only rarely issues bullet points (the 10 Commandments were the last I can think of) and He never does Powerpoints.

What We Did On Our Holidays

Just back from an almost rain-free week in the Lake District (it poured on the day we arrived and again when we left, but was dry in between [for my friends abroad, just take it as read that this is the single most important news I can relate when talking about a holiday in Briain]). Here are a few photos to give a taste of what we saw and did. Walney Island turned out a little different to what I had expected (this was the edge of the Island of Sodor in the Rev. W. Awdry’s imagination). Still, we thought it would make a moody shot for our proposed boy band (plus one) album cover.

Call us the the Fab Four. Er, the Fantastic Four. The Famous Four...
Call us the the Fab Four. Er, the Fantastic Four. The Famous Four…

 

The next is Isaac investigating for himself the ancient conundrum of the chicken and the egg.

Now, which is it?
Now, which came first?

Matthew, the lord of Piel Island… 

Lord of the Island
Lord of the Island

…and Theo, leaping up the Old Man of Coniston like a mountain goat.

King of the Mountain
King of the Mountain

And, finally, me setting off with Isaac on my back to climb the Old Man of Coniston.

All set...
All set…

And me, a few hours later, questioning my earlier decision.

All spent...
All spent…