
Although it’s subtitled ‘My Life in Music and Beyond’ the ‘Beyond’ gets barely a look in beyond a bit of a plug for Blackwell’s later business interests in hospitality and distilling rum; there’s not many autobiographies which you finish with no idea how many wives the subject has had or how many children. But, really, in this case that doesn’t matter. None of the potential readers are that interested in Blackwell’s personal life (from the odd comment, I suspect that the wives are not mentioned because they rarely lasted for long and probably left with substantial alimony and water tight NDAs); what we want to know about is the gossip.
What was it like to discover Bob Marley? Is Grace Jones as weird as she seems? How can you work with Bono without wanting to smack him? These are the questions we really want to answer and Blackwell, with Paul Morley, doesn’t disappoint. Really, for someone who grew up in the 1970s and ’80s, it’s the tale of the soundtrack to your growing up, as well as a memoir of someone who was there when the record industry was still figuring what sort of industry it was going to be.
Blackwell was brought up on Jamaica, the child of wealthy socialite parents whose friends included Noel Coward, Errol Flynn and Ian Fleming. It was a gilded childhood but Blackwell took the best of it, married it with the self assurance produced by a public school education, and set about flogging records, and then musicians to the public. He’s clearly a man who suffers boredom badly. The buccaneering days of the music industry was a perfect fit for Blackwell, and he takes the reader into that time, and the making – and unmaking – of those artists. One of the most moving chapters is devoted to Nick Drake. Blackwell’s commitment to the artists he believed in is commendable. And the artist he believed in above all others was Bob Marley. These chapters are the centre of the book and, clearly, the highlight of Blackwell’s life, marrying his great loves, Jamaica and music, into a single package: one of the very few 20th century artists who will still be listened to in a hundred years’ time.