
There’s an edge to Roald Dahl, a jagged, slightly nasty edge which is one of the reasons that he is such a great writer for children. Children are not at all sentimental but many of the grown-ups who write for them are. Dahl wasn’t. Villains don’t repent, they get squashed by a runaway giant peach. The witches in The Witches are as loathsome as witches can be and come to suitably gruesome ends – while the hero o the story turns into a mouse and decides to stay a mouse.
It’s this refusal to sugar coat the world, but rather to depict it in the stark shades of black and white that forms the moral imagination of children that makes Dahl’s children’s writing so outstanding. So it’s interesting to see that perspective applied to adults in these stories.
Curiously, it does not work quite as well. Yes, the stories are all well crafted with interesting twist endings. But without the moral starkness of the children’s stories, the retribution on the villains of the story does not have the same satisfaction as it does in the children’s stories because, frankly, the other people in the stories are not that much better than the villain of the piece and, really, it would take only a minor turn for the positions to be reversed in most cases.
So, some interesting and entertaining stories but they don’t carry the weight and the charm of Dahl’s children’s stories.








