Book review: God is an Englishman by Bijan Omrani

God is an Englishman by Bijan Omrani

The name is unusual: Bijan Omrani. If we can judge by it, then Bijan Omrani has the same sort of complex relationship to England and Englishness as I do. In my case, my Christian name betrays a foreign source (my mother is Italian) but my surname, while ostensibly English, conceals an even more exotic home: Sri Lanka. My father is Sri Lankan – half Sinhala and half Tamil – but at some point in the past an ancestor changed his name to Albert, possibly in honour of Prince Albert. Unfortunately, we don’t know for sure when this happened as my grandparents, one Sinhala and one Tamil, were a love match who married in the teeth of parental opposition and my father never met his own grandparents. So I don’t know when or why our name was changed.

But like Mr Omrani, I was born in England and I have lived all my life here. My roots lie draped over half the world but my growth is here, in this place and this city: London. So like Mr Omrani, at some level I am concerned with, and am trying to answer, the question of what is it to be English? In my case, I have also written a book to answer this question: Bede: the Man Who Invented England (due out next spring from Birlinn). It’s interesting to compare our answers, as given in our two books.

From various passages in Mr Omrani’s book, it’s clear that at least one set of his grandparents were what I might call properly English. Indeed, they appear to have represented something of a survival from Britain’s Imperial heyday during the reign of Queen Victoria: morning tea, choral evensong, self discipline expected and inculcated, and a deep but mostly unspoken patriotism.

In my case, there were no relatives in this country. In fact, all my childhood friends were the children of immigrants – it was only when I went to university that I became friends with actual English people. My mother, however, had distinct ideas as to what ‘Englishness’ was. I remember her, when I was about six, pulling me up about how I was speaking and telling me to talk like the BBC. Remember, this was the 1960s, when BBC presenters all spoke in proper RP. In terms of behaviour, she told me to behave like an English gentleman. Although I was young, I did not have to ask her what she meant by that. I was a reader, utterly formed by books, and the idea of the English gentleman had been formed in me by reading books like The Wind in the Willows and the Famous Five. I knew what she meant from what I had read.

For Mr Omrani, a key part of being English was the Church of England. Its rituals, its company, its words and its physical presence in town and school and through the passages of his growing life.

It was different for me. My parents were Catholic so I was too. This was, in the 1960s and ’70s, still the religion of outsiders and immigrants: Irish, Italians, Poles mostly at the schools I went to. Loyalties were mixed but still deep: my best friend, Paul Fitzpatrick, ran the cadet force during the worst times for IRA attacks in London when he, as a 16 year old, had the keys to the arsenal in the school – he literally had access to enough guns and ammunition to start a small-scale insurrection! (Times were a little different!) But despite his thoroughly Irish Catholic ancestry, Paul never even thought of sneaking any Lee Enfield rifles to the IRA. We weren’t English, but we were loyal.

Then, in 1998, I married an Englishwoman. My father-in-law, as my mother approvingly remarked, was a proper English gentleman. And he was. Oxbridge. High-flying civil servant and (we finally found out), he had even been a member of MI5 in the 1960s (when asked whether he had had anything to do with Philby, Burgess and Maclean, David answered, ‘Not directly.’) In fact, the stuff David was involved with was so secret that, after his death, when his daughters tried to find out about his service with MI5, they discovered that his career there was all covered under the 100-years rule, which only applies to the most sensitive of state secrets.

Together, we have three children, three sons. And watching them grow up, it was clear that they all regarded themselves as English. But then, what did that make me? In part, I wrote my book to answer that question.

Recently, some people have taken to claiming that being English is genetic: take a DNA test and if it comes up that your ancestry is, say, 90 per cent British with maybe 10 per cent Irish layered on top, then you qualify as English. It’s a view of national identity that lies in blood and, obviously, that would then exclude me – as it would exclude Rishi Sunak, Ian Wright or Frank Bruno. Now, these are three men I do regard as English. They see themselves as English. Sunak was prime minister. Wright played football for England, Bruno came close to winning the world heavyweight boxing title for England. Are they wrong?

I don’t think so. My mother-in-law was born in South Africa to English parents who emigrated there. She grew up under apartheid, which was in effect a sort of whiteness purity test: you might look paler than Snow White but if a great-grandparent was African, then you were put into the ‘mixed-race’ designation. This is clearly nonsense. There was no point at which the ‘taint’ of black blood could be washed away. The same is true in the opposite direction: how many generations born on this island are necessary to produce an Englishman? Following this logic, you’d have had to come over in the original boats with Hengist and Horsa to qualify as English. By this view, even an admixture of Norman blood would disqualify the bearer as properly Anglo-Saxon.

When I wrote my book on Bede, I realised that it was Bede who was, in part, the man who first developed the idea of England. Before Bede, there weren’t any Englishmen. There were Kentish men and men of Suffolk, Northumbrians and Mercians, the West Saxons, the South Saxons, the East Saxons and the Middle Saxons. Identity was local and personal. It was Bede who invented the English and he did this by contrasting them against the other people living in Britain, the Britons, the Picts and the Scots (who were actually from Ireland). What distinguished these different peoples were their languages:

“At the present time, there are in the island of Britain five languages, and four nations: the languages of the English, the Britons, the Scots, and the Picts, each having its own tongue; and the fifth is the Latin tongue, which is used in the service of religion.”

By defining the English in opposition to the Britons (who became the Welsh) and the Picts and Scots, Bede contributed to the long history of conflict between the later kingdoms. In his time, warfare was just as common between the Anglo-Saxon kings as it was against the Britons, the Picts and the Scots, but by creating an idea of a single English polity, Bede provided the impetus to turn its expansion outwards, against the Britons and the Scots.

Indeed, today’s blood nationalists have taken this idea and run with it, equating nationality and identity with genetic, and racial, inheritance, while also producing an idealised view of an Anglo-Saxon idyll destroyed by the Norman conquest.

However, while Bede might be guilty of defining the English against the Briton and the Scots, he had another basis of identity that superseded blood: Christianity. For Bede, religion was much much more important than race. The Britons were condemned not for their nationality but for their stubborn clinging to heresy. The man whom Bede admires most wholeheartedly in the whole history was the Irishman, Aidan.

For Bede, religion was the core of identity and, as a Christian, that identity transcended any local allegiances or ties of blood. When Benedict Biscop, the founder of Bede’s monastery, was dying he expressly forbade his monks to choose any of his own relatives as his successor.

Some of the more fervent of present-day English nationalists seem to have understood this, for they have forsaken Christianity for a full-throated embrace of a reinvented Anglo-Saxon paganism.

Mr Omrani clearly understands Bede’s unique role in the definition of England, and his equally unique role in opening England up to the world as England became Christian. Paganism is local and particular, tied to roots and unable to escape them. The genius of Christianity is that it is both local and universal, tied to roots and open to heaven, a religion of a people and the religion of the world. Mr Omrani’s book makes that very clear and I hope mine will too.

Book review: The Temple Tree by David Beaty

The Temple Tree by David Beaty

One of the joys of going away on holiday is browsing through the bookshelves of the house or hotel where we are staying. So, on our recent holiday, I was drawing my finger along the spines – sometimes the touch of a book can be as important as its appearance – when I stopped on a slim volume. Drawing it out, I saw a splendidly old-fashioned cover with the much missed Pan logo in the top right corner. But that’s not what made me read the book.

Turning it over to read the blurb, I discovered that the book was set in Ceylon, shortly before it became Sri Lanka on 22 May 1972. That the story involved an air-accident investigator trying to discover the reason a plane crashed on the approach to the country’s newest airport. And that the author, David Beaty, had been born and grew up in Ceylon himself.

Given that my father is Ceylonese (coming to Britain in 1960), and that I visited Sri Lanka for the first time in 1975 with my family, this was an intriguing prospect. Plus, there’s something salutary about reading the forgotten books of forgotten writers – after all, it’s a fate that will probably befall me. I suspect, for a writer, someone reading their books after their death is the equivalent of ten masses for the dead in shortening their time of waiting, so I do hope some of my books might be found, waiting in hope on a dusty shelf after I am dead, taken down, brushed off and read again, bringing ease to the dusty soul of this long-gone writer.

Having finished the book, I did some more research on David Beaty and while it’s true his novels are largely forgotten, it turns out that his research on air-traffic accidents was a crucial influence in ensuring that pilot psychology and crew resource management became essential elements of pilot training. So while his name might be receding, his influence endures.

On to the story. Plus points: I read it in four days, wanted to find out what happened next, and was satisfied with the ending. Negative points: it was rather disappointing in its evocation of post-colonial Ceylon. When we first arrived in Ceylon in 1975, I remember the overwhelming sensation of burgeoning life as we were driven from the airport into Colombo, the sense that one might spit the stone of a fruit out of the window of the car and see the budding tree bursting up out of the ground in the rear-view mirror. What’s more, the story is set during the monsoon season and there’s no real sense of the sweat and the grime, of the way that dirt collects under your fingernails even when you have four baths a day.

So, I am glad to have read the story and, David, I will say a prayer for the repose of your soul. But the story is likely to be left, quietly sitting on old bookshelves, the fading echo of a life’s work.

Book review: The Elder Gods by Stephen Pollington

The Elder Gods by Stephen Pollington

This is, without doubt, the most thorough examination of the old religion of the pagan Anglo-Saxons available today. Pollington is an independent scholar with all the focus and intensity that sometimes brings, as well as having a good measure of the insularity that is its necessary support. This is the work of a man who has researched the topic as deeply as anyone else in the world and is convinced of the veracity of his conclusions.

For my part, I am just as convinced of the thoroughness of his research but slightly less confident about his conclusions. The evidence for the beliefs and practices of the pagan Anglo-Saxons is so fragmentary and sparse that I suspect the chains of reasoning that underpin some of Pollington’s conclusions could snap relatively easily should some new evidence come to light – not at all impossible, with improving archaeological methods.

Nevertheless, this is certainly the single best book on the subject and one I wholeheartedly recommend.

Book review: All Systems Red by Martha Wells

All Systems Red by Martha Wells

Right, sometimes you just have to hold your hand up and admit you don’t understand what all the hype is about. The Murderbot Diaries, which begin with All Systems Red, have been a huge success, selling tens of thousands and they’ve even struck writer gold by becoming an Apple TV series. All I can say, is well done, Martha! I wish my books had sold a tenth as well as yours.

But I must admit, I really don’t understand why the lightning of public approval has decided to strike here. The titular Murderbot is a grumpy security android, detailed to look after a crew of planetary explorers. Yes, someone wants to kill them all. Yes, the Murderbot saves them. Yes, he’s still grumpy at the end of the book.

In essence, the Murderbot is Marvin the Paranoid Android with more guns and less wit. It’s enjoyable enough but I remain baffled why this particular SF series should have struck through the clouds of disinterest that surrounds most stories – but then, I couldn’t work out why Twilight or 50 Shades of Grey were huge either. So I’m probably doomed to never knowing sales like the ones Martha Wells is currently enjoying.

So, well done, Martha Wells. I wish I was you, at least for sales.

Book Review: Meetings with Remarkable Manuscripts by Christopher de Hamel

Meetings with Remarkable Manuscripts by Christopher de Hamel

This is a remarkable book about remarkable books.

There are many joys and discoveries to be made within its pages but perhaps the single most notable aspect of the book is de Hamel’s appreciation of books as physical objects: even the way the pages are stuck together (their ‘collation’ as I learned from de Hamel) provides insights into how the book was made and its subsequent history. But even more, there is the joy that de Hamel so wonderfully transmits in holding a book, turning its pages, examining it and even smelling it. You won’t get any of this with a Kindle!

Perhaps my favourite chapter is the second, the one on the Codex Amiatinus. This is a complete edition of the Bible, a pandect as it’s called in the language of scholars, that was made in the twin monasteries of St Peter and St Paul in Wearmouth and Jarrow in the 7th century, under the direction of the Venerable Bede and Abbot Coelfrith. It’s a huge book, and one that I had a privilege to see at the British Library a few years ago. In fact, it’s as close to being physically intimidating as a book can be – and weighs, as a scholar famously remarked, as much as a female Great Dane. De Hamel got to open it, to read it and to examine it himself – there’s a wonderful description of how he managed to penetrate Italian bureaucracy to get to the book – and that examination revealed details that no reproduction could show, such as the titles on the spines of the books in the famous painting of Ezra in the scriptorium. The chapter also includes the extraordinary history of the Codex, of how it was taken by Abbot Coelfrith as a gift to Rome but ended up in the monastery at Amiatinus in Italy with its dedicatory preface forged to give legitimacy to its new home, and how the forgery was discovered and the book’s true provenance revealed.

For book lovers, Meetings with Remarkable Manuscripts is essential reading. But this is one book that repays investment: buy the hardback – it’s worth it!

The Resting Place of Queen Æthelburh

Queen Æthelburh is a major character in my novel, Edwin: High King of Britain (she was Edwin’s wife and the instigator of his conversion to Christianity) so I was delighted to visit the church of St Mary and St Ethelburga in Lyminge, Kent, where she founded a monastery and where she was later buried.

It’s a lovely, atmospheric church with an excellent display inside about the extensive archaeological discoveries that have been made in and around the church. Well worth a visit.

Book review: The Beast of Bethulia Park by Simon Paul Caldwell

The Beast of Bethulia Park by SP Caldwell

Real life doesn’t imitate art. In real life, stories get cut off half way through, or sometimes hardly begin at all. Others seem to drag on for far too long. The reason for this is that ‘real life’ only tells part of the story. It’s like reading a book but not being able to read to the end, although exactly how far into the story you can go is random; sometimes a long way, on other occasions to half way, sometimes just a few pages.

This is why, to make art, particularly in the written form of stories, we have to change ‘real life’, we have to tell the whole story so that we, as writers, can create a coherent work of art. We have to ensure that all the story occurs within the confines of the story on the page. But, again, real life isn’t like that.

If it ends at death, then the stories we tell ourselves are just that, polite fictions coined to paper over the bleak reality that there are no stories, that the coherence and the meaning we create with them are of less import than a passing dream that wakes us briefly before we collapse back into the night.

If the story continues after death, then our stories of this world do have meaning, for they acknowledge the incompleteness of our normal human stories by completing them in this world whereas in most cases, the stories are completed only later, their meaning made clear and their climax reached.

In The Beast of Bethulia Park, Simon Caldwell tells a story of this life with reference to the later life, and leaves the events of this life unfulfilled. As such, it’s a story true to the real nature of things but, in one sense, it does not work completely as a narrative because its denoument is, ultimately, off the page of time and beyond the ability of any writer to convey. But in another sense, it does work remarkably well as a story, embodied in time but directed towards the consummation of time.

It’s also a fascinating thriller about doctors with a belief that they alone can deliver life and death – a belief that the current passage of the Assisted Dying Bill throws into an all too believable light.